New Book Cover

New Book Cover
A Few Words On The Way: Haiku and Short Poems

Tuesday 18 March 2014

Here is the final preview of Screefing: A Tree-Planter's Reflection, which I am planning to release in a few days. Like the last preview, this one is a sequence including both poetry and short prose. I hope you enjoy it.

Stopped

When motion leaves,
you stand stolen, swept
out of walking into slow air
that wraps you in perspiration
and blackflies, and thick water
that hasn’t moved since the god you deny
let it run off his muscled shoulders in the sweat
of violent creation.
You are alone and forgotten, forgetting
you are alone and hungry.
You are weak inside flesh made hard
by work, weak inside
a new and alien strength
that growls in your blood
with the echoes of something
lost. You
who came with seedlings and a shovel
to impregnate this moist land, you
who labour in straight lines, you
who curse rock and water, you
whose body aches in its tent at night,
nothing more than a tool—you want
to sink down. You want
the warmth of this swamp’s dark floor to close
around your hips, your chest. You want
the rotting place where larvae swarm
to fill your mouth and wrap your tongue
in a fertility too rich for speaking. You want
to go down
to where the bones are.



Stripped

Chuck’s mouth opens, and his lunch comes out. It splatters over a sun-heated rock on the slope beside the swamp, and steams. He looks up, peeling face brown and red, eyes slack, mouth slack, a string of mucus connecting him to the jutting granite, and wipes his chin on the bare skin of his forearm. He takes a step, another step, and passes me on the way up to where the others lie sprawled and staring, with Andy walking between them bringing water. All Chuck can see is the water jug. His head turns to watch it as he moves up the slash-littered hillside, unsteady between half-empty hip bags. When he gets close, his arms reach out like a character in a bad desert movie, but there are no words in his mouth, no “water, water, water.” He just stands there clasping the clear damp plastic as Andy helps him lift it to his lips and holds it for him as he drinks, every thin muscle shaking.



Slipping

This is no place to think about stars,
hills or trees, black bears, deer.
This is a body
place, a muscle
place—a place
where walking is
boots on broken wood, stone,
where walking is
breathing in time with the contraction
of hamstrings.
Here, you
are lungs and blood and hands,
dirt, sweat, knees,
and foul language—motion
in a place more alive
than your eyes in spring,
your good intentions,
could have guessed.
In this place of bruises
and flies, you straddle the weave
of time, place, and gainful employment,
and stare at the boots rotting

on your feet.

Monday 10 March 2014

Here is another excerpt from my forthcoming ebook Screefing: A Tree-Planter's Reflection, due out this month. Rather than posting an isolated piece, I thought it might be better to put up a sequence, so that anyone who is interested can get a sense of how the book flows. This excerpt covers the three main genres I use: short prose, poetry, and journal entry. Enjoy.

Looking

Out of seedlings, I crouch on the edge of a white birch stand as the daylong rain slides down my back along the inside of my rain suit. It’s mid-afternoon, and I’m the last one on the block, alone and idle until Andy comes back with another load of trees. I cough, sniffle, huddle down lower in no hurry to move. Slipping off my glove and setting it beside me, I let my hands fall slack at my sides, touch the cool brown of last year’s leaves, spread my fingers wide, and press down into the damp.
I’d like to think I feel something big—the pulse of the land, the slow movement of life through time—but really it’s just dead leaves and water. Feels good on my fingers, loosens them up from the long clutch of work.
A rumble in my gut, and a wet cough spits phlegm into the rain.
I have to admit that behind the promise of good money and the warnings of hard labour and monotony, I came here looking for something spiritual. Something godlike even, even if that is too big a word. Something I’d maybe understand but still be self-conscious about discussing with most of my friends. I don’t know. Something bigger than life the way the sky is bigger than the rock-solid earth. Bigger than sound, bigger than rain.
Forgetting my hands, my eyes wander out across the debris I’ve been working through. The hundred crooked shades of brown are spotted yellow-green, bright in the heavy grey, and my own pale rows of jackpine are almost invisible. A chipmunk perches on a dripping twig, listens, then runs down.
Low over the hill on the far side of the block, a narrow gap opens in the clouds, letting in nothing but light.



Limen

Silence breathes wind. Out
of this quiet, anything
can be born—



Stone Man

People back home like to babble about Mother Nature, Earth Mother, Earth Goddess—how kind and giving and fertile she is. But they’ve never been on the shield-rock, and they don’t know Stone Man.
Maybe he’s a bastard son. His beard is made of dried up moss, and his feet are as big as boulders. At night sometimes he walks through camp grumbling like a pack of hungry bears, and on hot days when the water-jugs run dry in the middle of the afternoon he pisses in the streams so that anyone who drinks from them gets the shits.
It’s Stone Man got to Chi on the Elliot Lake plant, I think now after it’s over. Snuck into his head in the morning and turned his blood to sand and his heart to gravel. And it’s Stone Man got to Joe. Kept grabbing at the heels of those stupid cowboy boots he wore until his knees hurt all day long and he woke up in the mornings stiff and squeaky. And I know he got to Martha. Stuck a rock up where she was screefing and shattered half the bones in her foot.
Once, he almost got to me. I was standing on the rock-flats looking for anyplace with enough soil to stick a tree in, and just stopped. No one else anywhere near. No one moving at all but me, and I wasn't really moving anymore. No sound but the wind and the flies. Only there was a voice in the rock whispering into my feet, quiet and low, sneaking up the muscles in my legs and wrapping itself around my stomach with a heavy feeling like sinking to the ground.
So I sank to the ground.

Stayed there I don’t know how long, and when I got up again the sun had moved and Mark was honking the horn to call it a day. I think it was the horn scared Stone Man away, or at least startled him a bit.


Tuesday, May 12:

This morning there was snow on the ground and on the tents. Had to break through inch-thick ice on the wash-bins to do the breakfast dishes, and by the time I finished scrubbing, my hands ached up to the elbows and I could barely carry my cup back to the cook tent. By noon, though, it was hot and still: bugs were bad. Wrapped my bandanna around my head to keep the black flies out of my ears.
Adam broke a thousand. First one to get there. Says the beer was warm.
After supper, I took a walk down to the swamp on the far side of the dunes behind camp. My feet sank into the earth until my work boots were covered in thick water and algae. Tried to think—about anything—but there was nothing in my head. Or nothing that would stay. Walked back up past the cook tent and didn’t talk to anyone.

Later. Don’t know what time. We’ve had bears snuffling around camp, and they just left. One had its snout up to my tent, a few inches from my face. I could look up and see its head silhouetted in moonlight on the sagging canvas, and hear every breath it took. I remembered being told that bears are most apt to get nasty if you startle them, but if you let them know you’re there—as long as there’s no food in your tent—they won’t bother you. So, very gently, I started to shift my legs and breathe a little louder. The bear kept sniffing, so I shifted a little more and sang a few bars of “Row Row Row your Boat.” After the second or third merrily-merrily, the bear bumped its nose against the canvas, pushing in until it touched my forehead and I could feel the thick amoral strength of the living world pressing with claws and teeth and hunger and everything but thought. Warm, damp breath snorted out against my skin, neither faster nor slower than when I’d started to sing. I kept singing. The bear kept sniffing. I’d like to say that we were communicating in some fashionably psychic spirit-of-nature kind of way, but I was just trying to stay alive, and the bear was just hovering between the biochemical signals for “eat” and “don’t eat.”
Eventually, the sniffing stopped, the canvas pulled back, and the shadow went away.
A little after that—I’m not sure how long—I stopped singing.

Saturday 8 March 2014



“Like a fuckin’ war zone.”
Andy is one of our two foremen. He’s driving the van, slouched and scrawny, fingers on the pale blue steering wheel in a loose-fingered, tobacco-stained grip. We’re an hour out of Chapleau, thirteen hours out of Toronto. At Iron Bridge, I remember, we turned north off the Trans-Canada onto an unpaved road officially called a highway with a sign that said Chapleau 224. Now, we’re bumping along a dirt logging road, crammed in shoulder to shoulder.
“A fuckin’ war zone,” Andy says again.
Outside, past the scrub that lines the road, the world is broken bones—shattered slivers of the northern forest stabbing up roots and branches at a red sky sliding into sunset, and no leaves visible anywhere. Not that this is the first clearcut we’ve passed. They came and went at intervals since not long after Iron Bridge, over flats or up the sides of stump-stubbled hills. But this is no small cut. It offers no boundary in any direction: a silence that tears your eyes and stabs your lungs with the broken ends of sticks.

Sometime from someplace.

We enter as we leave.